-
We Will Never As Humans Be Able To See 360° (2016)
The project We Will Never As Humans Be Able To See 360° merges Jo Clements’ sculptural structures with virtual reality to create multi-layered, immersive, sensory environments. Artists Sam Ingleson and Steve Oliver were commissioned by Clements to create new digital content specifically for the project. We Will Never As Humans Be Able To See 360° …
Read more -
This Is The Difference Between Evidence and Belief (2016)
An animated version of Cinderella plays behind a series of words whose sequence entices logical connections and narratives.
Read more -
100 Adapted Orphans (2016)
Shortlisted for the Greater Manchester Art Prize 2016 Short, ambiguous poetic statements and re-appropriated film clips make up the work 100 Adapted Orphans. Experienced via a ‘sculptural archive’ 100 QR codes printed onto 100 index cards are linked to 100 short films accessed via mobile phone QR code readers. This work has previously been displayed …
Read more -
Obey On Kawara (you’re my only hope) (2016)
Obey On Kawara (you’re my only hope)(2016) Single channel video, 60 minutes, b/w, sound. Part of the group exhibition Early Warning, curated by Mark Devereux projects at &Model Gallery | Leeds | UK 16 March – 2 April 2016 The time frame of an hour, the duration of the film, refers to the typical length …
Read more -
Unidentified Recollections (drawings for unmade sculptures)(2014)
96 Charcoal and Graphite drawings
Read more